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Blues

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Charley Patton

Blues Book of the Year
—26th Annual Living Blues Awards

Contributions by Luther Allison, John Broven, Daniel Droixhe, David Evans, William Ferris, Jim O'Neal, Mike Rowe, Robert Sacré, Arnold Shaw, and ...

Mississippi John Hurt

Winner, Best History, 2012 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research

When Mississippi John Hurt (1892-1966) was "rediscovered" by blues revivalists ...

Live from the Mississippi Delta

Live from the Mississippi Delta showcases a rare collection of photographs and stories about musicians from Robert Plant, B. B. King, and ZZ Top to local guitarists playing gigs on the weekend. Panny Flautt ...

Boom's Blues

Boom's Blues stands as both a remarkable biography of J. Frank G. Boom (1920–1953) and a recovery of his incredible contribution to blues scholarship originally titled The Blues: Satirical Songs of the ...

I'm Just Dead, I'm Not Gone

I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including ...

Bars, Blues, and Booze

Bars, Blues, and Booze collects lively bar tales from the intersection of Black and white musical cultures in the South. Many of these stories do not seem dignified, decent, or filled with uplifting euphoria, ...

Creating Jazz Counterpoint

The book Jazzmen (1939) claimed New Orleans as the birthplace of jazz and introduced the legend of Buddy Bolden as the "First Man of Jazz. " Much of the information that the book relied on came from a ...

Transatlantic Roots Music

This book presents a collection of essays on the debates about origins, authenticity, and identity in folk and blues music. The essays had their origins in an international conference on the Transatlantic ...

Alan Lomax, Assistant in Charge

Edited by Ronald D. Cohen
Categories: Folklore
Series: American Made Music Series

Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting ...